Journal
Brunt, S., & Wilson, O. (2021). Editorial introduction.
Perfect Beat. 21(2), 91-95
[Journal article]Authored by: Wilson, O.Edited by: Wilson, O.Brunt, S., & Wilson, O. (2021). Editorial introduction.
Perfect Beat. 21(1), 5-9
[Journal article]Authored by: Wilson, O.Edited by: Wilson, O.Hoad, C., & Wilson, O. (2020). More than ‘clips of dead fish’: gender, technologisation, and localisation in the amateur music videos of Wellington spearfishers.
Green Letters. 24(3), 252-268
[Journal article]Authored by: Hoad, C., Wilson, O.Read Online:
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Brunt, S., & Wilson, O. (2020). Editorial introduction.
Perfect Beat. 20(1), 5-7
[Journal article]Authored by: Wilson, O.Edited by: Wilson, O.Brunt, S., & Wilson, O. (2020). Editorial introduction.
Perfect Beat: the Pacific journal of research into contemporary music and popular culture. 20(1), 5-7 Retrieved from https://journal.equinoxpub.com/PB/article/view/18381
[Journal article]Authored by: Wilson, O.Edited by: Wilson, O.view more...
Wilson, O., & Brunt, S. (2020). Introduction.
Perfect Beat: the Pacific journal of research into contemporary music and popular culture. 19(1)
[Journal article]Authored by: Wilson, O.Wilson, O., & Holland, M. (2020). Not our 'Dunedin sound': Responses to the historicisation of Dunedin popular music.
Popular Music. 39(2), 187-207
[Journal article]Authored by: Wilson, O.Read Online:
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Hoad, C., Wilson, O., Brunt, S., Shill, G., & Howe, B. (2020). Work-integrated learning in university popular music programmes: Localised approaches to vocational curricula in Melbourne, Australia and Wellington, Aotearoa/New Zealand.
British Journal of Music Education. 37(2), 181-192
[Journal article]Authored by: Hoad, C., Howe, B., Wilson, O.Read Online:
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Brunt, S., & Wilson, O. (2019). Editorial introduction.
Perfect Beat: the Pacific journal of research into contemporary music and popular culture. 19(2), 105-106 Retrieved from https://journal.equinoxpub.com/PB/article/view/16158
[Journal article]Authored by: Wilson, O.Edited by: Wilson, O.Wilson, O. (2019). From home-studios to mobile phones: Recent trends in popular music recording and sharing in Papua New Guinea.
Journal of World Popular Music. 6(2), 133-150
[Journal article]Authored by: Wilson, O.Read Online:
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Brunt, S., & Wilson, O. (2018). Editorial introduction.
Perfect Beat. 19(1), 5-7
[Journal article]Authored by: Wilson, O.Edited by: Wilson, O.Brunt, S., & Wilson, O. (2018). Editorial introduction.
Perfect Beat. 19(2), 105-106
[Journal article]Authored by: Wilson, O.Wilson, O. (2017). Editorial introduction.
Perfect Beat. 18(1), 5-6
[Journal article]Authored by: Wilson, O.Brunt, S., & Wilson, O. (2017). Editorial introduction.
Perfect Beat. 18(2), 93-94
[Journal article]Authored by: Wilson, O.Brunt, S., & Wilson, O. (2017). Editorial introduction.
Perfect Beat: the Pacific journal of research into contemporary music and popular culture. 18(2), 93-94 Retrieved from https://journal.equinoxpub.com/PB/article/view/16214
[Journal article]Authored by: Wilson, O.Edited by: Wilson, O.Wilson, OR. (2017). Introduction.
Perfect Beat. 17(2), 101-103
[Journal article]Authored by: Wilson, O.Read article at Massey Research Online:
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Johnson, H., & Wilson, OR. (2016). Music video and online social media: A case study of the discourse around Japanese imagery in the New Zealand indie scene.
Sites: A Journal of Social Anthropology & Cultural Studies. 13(2), 163-186 Retrieved from http://www.asaanz.org/
[Journal article]Authored by: Wilson, O.Read article at Massey Research Online:
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Wilson, OR., & Holland, M. (2016). Technostalgia in new recording projects by the 1980s ‘Dunedin Sound’ band The Chills.
Journal on the Art of Record Prodcution. (9) Retrieved from http://www.artofrecordproduction.com/
[Journal article]Authored by: Wilson, O.Read article at Massey Research Online:
Wilson, OR., Bendrups, D., & Weston, D. (2016). Introduction.
Perfect Beat. 17(1), 5-8 Retrieved from https://journals.equinoxpub.com/
[Journal article]Authored by: Wilson, O.Read article at Massey Research Online:
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Wilson, OR., & Overell, R. (2015). Editorial, Special Issue: music/media/politics.
MEDIANZ: Media Studies Journal of Aotearoa New Zealand. 15(1), 1-6
[Journal article]Authored by: Wilson, O.Read article at Massey Research Online:
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Brunt, S., & Wilson, O. (2015). Introduction.
Perfect Beat. 16(1-2), 5-7
[Journal article]Authored by: Wilson, O.Wilson, O. (2014). Selling lokal music: A comparison of the content and promotion of two locally recorded and released albums in Port Moresby, Papua New Guinea.
Journal of World Popular Music. 1(1), 51-71
[Journal article]Authored by: Wilson, O.Read Online:
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Wilson, O. (2014). Selling lokal music: A comparison of the content and promotion of two locally recorded and released albums in Port Moresby, Papua New Guinea.
Journal of World Popular Music. 1(1), 51-71
[Journal article]Authored by: Wilson, O.Read Online:
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Wilson, O. (2014). An interview with Tiki Taane: Expressing cultural heritage and identity through music.
Perfect Beat. 15(2), 167-174
[Journal article]Authored by: Wilson, O.Read Online:
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Brunt, S., Wilson, O., & Strong, C. (2014). 'Lookin, searchin, seekin, findin': A new beat.
Perfect Beat. 15(2), 105-111
[Journal article]Authored by: Wilson, O.Wilson, O. (2013). Popular music as local culture: An ethnographic study of the album matha wa! by the band paramana strangers from Papua New Guinea.
Musicology Australia. 35(2), 253-267
[Journal article]Authored by: Wilson, O.Read Online:
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Wilson, OR. (2013). Review of the DVD Rubber's Kastom (2011).
Journal of World Popular Music. 2(1) Retrieved from http://www.journal-the-world-of-music.com/previous/womns2013_2_1.html
[Journal article]Authored by: Wilson, O.Wilson, O. (2013). Popular music as local culture: An ethnographic study of the album Matha Wa! by the band Paramana Strangers from Papua New Guinea.
Musicology Australia. 35(2), 253-267 Retrieved from http://www.tandfonline.com/
[Journal article]Authored by: Wilson, O.Wilson, O. (2010). Signifiers of indigeneity in Australian and New Zealand popular music.
Perfect Beat. , 25-47
[Journal article]Authored by: Wilson, O.Read article at Massey Research Online:
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Book
Hoad, C., Stahl, G., & Wilson, O. (2022). Introduction: Mixing pop and pandemics. In
Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century. (pp. 1 - 12).
[Chapter]Authored by: Hoad, C., Wilson, O.Edited by: Hoad, C., Wilson, O.Read Online:
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Hoad, C., & Wilson, O. (2022). Looping alone, together: Music, community, and environmental self-sustainability in Aotearoa/New Zealand. In
Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century. (pp. 84 - 95).
[Chapter]Authored by: Hoad, C., Wilson, O.Edited by: Hoad, C., Wilson, O.Read Online:
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(2022).
Mixing pop and politics: Political dimensions of popular music in the 21st century.
[Edited Book]Authored by: Hoad, C., Wilson, O.Edited by: Hoad, C., Wilson, O.Read Online:
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Hoad, C., & Wilson, O.(2021). NZ music’s #MeToo moment is a wake-up call for educators: prepare graduates to challenge and change the industry. The Conversation
[Discussion Paper]Authored by: Hoad, C., Wilson, O.Read Abstract:
Wilson, O., & Holland, M. (2018). The “Dunedin Sound” Now: Contemporary Perspectives on Dunedin’s Musical Legacy. In
Made in Australia and Aotearoa/New Zealand: Studies in Popular Music. (pp. 69 - 79).
[Chapter]Authored by: Wilson, O.Read Online:
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Wilson, O. (2018). Perspectives on music sharing via Mobile Phones in Papua New Guinea. In
Mobile Story Making in an Age of Smartphones. (pp. 65 - 73).
[Chapter]Authored by: Wilson, O.Read Abstract:
Wilson, OR., & Holland,, M. (2017). The ‘Dunedin Sound’ Now: Contemporary Perspectives on Dunedin’s Musical Legacy (in print). In S. Brunt, & G. Stahl (Eds.)
Creative Cities. : Routledge
[Chapter]Authored by: Wilson, O.Wilson, OR. (2017). Revisiting Place and Identity in Indigenous Popular Music: Lokal Stylistic Frameworks in Papua New Guinea (in print). In
Place, Power and the Media.
[Chapter]Authored by: Wilson, O.Wilson, OR. (2017). Tiki Taane’s with strings attached: Alive and orchestrated and postcolonial identity politics in New Zealand. In TK. Ramnarine (Ed.)
Global Perspectives on Orchestras: Collective Creativity and Social Agency. Online: Oxford University Press
[Chapter]Authored by: Wilson, O.Read Online:
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Wilson, O., Bendrups, D., & Weston, D. (2016). Introduction. (pp. 5 - 8).
[Chapter]Authored by: Wilson, O.Wilson, OR., & Overll, R. (2015).
Special Issue: music/media/politics. OR. Wilson, & R. Overell (Eds.): Otago University Press
[Scholarly edition]Authored by: Wilson, O.Edited by: Wilson, O.Wilson, O., & Attfield, S.(2013).
Shifting sounds: Musical flow. Dunedin, New Zealand: IASPM Australia/New Zealand
[Authored Book]Authored by: Wilson, O.Read Abstract:
Wilson, O. (2013). Conflict, politics and failure: A chronology of the production of a commercially recorded and released single. (pp. 208 - 215). Dunedin, New Zealand: IASPM Australia/New Zealand
[Chapter]Authored by: Wilson, O.Wilson, O. (2011). Papua New Guinea: Popular music and the continuity of tradition: An ethnographic study of songs by the band Paramana Strangers. In G. Baldacchino (Ed.)
Island Songs. (pp. 119 - 134). Lanham, MD: Scarecrow Press
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Creative Work
Wilson, O., Phillipps, M., Knudson, T., Scally, E., & Hampton, C. (2020).
Chills. (Live Performance) The Chills December Tour w/ Reb Fountain: New Zealand
[Performance]Authored by: Wilson, O.Read Abstract:
Parnell, J.(2019).
The Chills: The Triumph & Tragedy of Martin Phillipps. [Full Length Motion Picture]. : MadMax
[Film or Video]Contributed to by: Wilson, O.Read Abstract:
Wilson, O., Phillipps, M., Scally, E., Knudson, T., & Dickson, J. (2019).
The Chills USA Tour. (Live performances) Snow Bound: United States
[Performance]Authored by: Wilson, O.Contributed to by: Wilson, O.Read Abstract:
Phillipps, M., Scally, E., Knudson, T., Dickson, J., & Wilson, O. (2018).
The Chills NZ Tour. (Live Performance) Snow Bound: New Zealand
[Performance]Authored by: Wilson, O.Read Abstract:
Wilson, OR. (2017).
The Chills: Vigorous and Far Reaching New Zealand Tour. (Live Performance) Live Show: San Fran, Wellington (26 April 2017); St. Peter's Hall, Paekakariki (27 April 2017); The Cabana, Napier (28 April 2017); The Royal Wanganui Opera House, Whanganui (29 April 2017); Blue Smoke, Christchurch (4 May 2017); The Scottish Hall, Invercargill (5 Ma 017); The Sherwood, Queenstown (6 May 2017); Totara St, Mount Maunganui (11 May 2017); The Raglan Club, Raglan (12 May 2017); The King's Arms, Auckland (13 May 2017)
[Performance]Authored by: Wilson, O.Read Abstract:
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Wilson, OR.(2017).
Little Vicious. [Music Video].
[Film or Video]Authored by: Wilson, O.Read Abstract:
Wilson, OR. (2016).
The Chills Australia, USA, UK and Europe Tour. (Live Performance) Silver Bullets Set: Primavera Sound Festival, Barcelona, Spain
[Performance]Authored by: Wilson, O.Wilson, OR. (2014).
The Chills European and UK Tour. (Live Performance) Somewhere Beautiful Set: The Dome, London
[Performance]Authored by: Wilson, O.Wilson, OR. (2014).
The Chills: European and UK. (Live Keybaord Performance) Somewhere Beautiful and selected work keyboard performance: The Dome, London, UK (24 July 2014)
[Performance]Authored by: Wilson, O.Read Abstract:
Wilson, O.
Silver Bullets by The Chills (Keyboards, Arranger, Backing Vocals). [CD, Vynal and Digital]. : Fire Records
[Film or Video]Authored by: Wilson, O.Contributed to by: Wilson, O.view less...
Conference
Hoad, C., & Wilson, O.
Rethinking Industry impact in creative practice contexts. . Hamilton
[Conference Paper]Authored by: Hoad, C., Wilson, O.Wilson, O., & Hoad, C.
There Goes Gravity: Flat Earth Music. . Canberra
[Conference Paper]Authored by: Hoad, C., Wilson, O.Hoad, C., & Wilson, O.
Spear-to-spear networks: Music and communicative phenomenology in online spearfishing videos. . Hamilton, New Zealand
[Conference Paper]Authored by: Hoad, C., Wilson, O.Wilson, O.'South Sea Island' music in Port Moresby and the Central Province of Papua New Guinea.
43rd International Council for Traditional Music (ICTM) World Conference.
[Conference]Authored by: Wilson, O.Meehan, NL.
Miles Davis: Bitches Brew. . Otago University, Dunedin
[Conference Paper]Edited by: Wilson, O.Read Abstract:
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Wilson, O.The Port Moresby recording industry and urban popular music in Papua New Guinea.
Linguistic Society of Papua New Guinea Annual Meeting.
[Conference]Authored by: Wilson, O.Wilson, O.Representational subversion and post-colonial cultural politics in Tiki Taane’s \emph{With Strings Attached: Alive & Orchestrated} album and television documentary.
International Association for the 淘料视频 of Popular Music (IASPM) Australia/New Zealand Annual Conference: Into the Mix: People, Places, Processes.
[Conference]Authored by: Wilson, O.Wilson, O.Tiki Taane: Motivations and representations.
Music / Media / Politics Symposium.
[Conference]Authored by: Wilson, O.Wilson, O.Lokal music and the continuity of traditions in Papua New Guinea.
Proceedings of the 59th Society for Ethnomusicology Annual Meeting.
[Conference]Authored by: Wilson, O.Wilson, O.Papua New Guinea popular music and the natural environment.
Department of Music & Theatre Studies Research Symposium.
[Conference]Authored by: Wilson, O.Wilson, O.Identity, tradition, and the production of lokal music in home-based recording studios in Port Moresby, Papua New Guinea.
42nd International Council for Traditional Music World Conference.
[Conference]Authored by: Wilson, O.Wilson, O.Notions of place and the natural environment in Papua New Guinea \emph{Lokal }music.
Proceedings of the International Association for the 淘料视频 of Popular Music Australia/New Zealand (IASPM-ANZ) Conference: Popular Music, Communities, Places, Ecologies.
[Conference]Authored by: Wilson, O.Wilson, O.Politics and negotiation in the commercial music industry: An overview of the production of a pop song.
Department of Music & Theatre Studies Research Symposium.
[Conference]Authored by: Wilson, O.Wilson, O.Studio flows: An auto-ethnographic account of the (attempted) production of a pop song.
International Association for the 淘料视频 of Popular Music (IASPM) Australia/New Zealand Annual Conference: Shifting Sounds: Musical Flow.
[Conference]Authored by: Wilson, O.Wilson, O.‘Hip hop... that's white man's music!’ Perceptions of style and genre in the Port Moresby recording industry.
34th National Conference of the Musicological Society of Australia and the 2nd International Conference on Music and Emotion: Power of Music.
[Conference]Authored by: Wilson, O.Wilson, O.Signifiers of ‘ples’ (place) in popular music in Papua New Guinea.
International Association for the 淘料视频 of Popular Music (IASPM) Australia/New Zealand Annual Conference: Routes-Roots-Routines.
[Conference]Authored by: Wilson, O.Wilson, O.“Put your recorder away. I'll dub you this tape my uncle made”: Questioning the role of field-recordings in sustaining traditional cultures.
Sustainability and Ethnomusicology Symposium.
[Conference]Authored by: Wilson, O.Wilson, O.The recording studio as ‘field’: Music, identity and participant-observation in popular music production in Port Moresby, Papua New Guinea.
Current Trends in Ethnomusicological Research 3: An International Doctoral Workshop.
[Conference]Authored by: Wilson, O.Wilson, O.Recent developments in the recording industry in Port Moresby, Papua New Guinea: The rise of home-based studios.
Instruments of Change: Proceedings of the International Association for the 淘料视频 of Popular Music (IASPM) Australia-New Zealand 2010 Conference. (pp. 171 - 176).
[Conference]Authored by: Wilson, O.Wilson, O.Recent developments in the recording industry in Port Moresby, Papua New Guinea: The rise of home-based studios.
International Association for the 淘料视频 of Popular Music: Australia & New Zealand Chapter (IASPM-ANZ) Annual Conference.
[Conference]Authored by: Wilson, O.Wilson, O.Sustaining tradition through popular music: A Papua New Guinea case study.
Department of Music & Theatre Studies Research Symposium.
[Conference]Authored by: Wilson, O.Wilson, O.'It has to be culture to be sold!': Marketing commercially recorded music in Port Moresby, Papua New Guinea.
What's it Worth? 'Value' and Popular Music: Selected Papers from the 2009 International Association for the 淘料视频 of Popular Music (IASPM) Australia New Zealand Conference. (pp. 72 - 76).
[Conference]Authored by: Wilson, O.Lyons, J. (2010). title.
title. Vol. 2 (pp. 1 - 4).
[Conference Paper in Published Proceedings]Authored by: Wilson, O.Wilson, O.Lokal, traditional or popular? An examination of commercially released music by the band Paramana Strangers from Papua New Guinea.
Department of Music & Theatre Studies Research Symposium.
[Conference]Authored by: Wilson, O.Wilson, O.Turning cultural value into record sales: An examination of the marketing of commercially recorded music in Port Moresby, Papua New Guinea.
International Association for the 淘料视频 of Popular Music (IASPM) Australia/New Zealand Annual Conference: "What's it Worth": 'Value' and Popular Music.
[Conference]Authored by: Wilson, O.Wilson, O.Identity, tradition and place in commercial music production in Port Moresby, Papua New Guinea.
40th International Council of Traditional Music (ICTM) World Conference.
[Conference]Authored by: Wilson, O.Wilson, O., Atkinson, B., & Wang, C.Copyright perspectives: The application of copyright law in a Web 2.0 world [Panel Discussion].
ARC Centre of Excellence for Creative Industries and Innovation (CCI) International Conference: Creating Value: Between Commerce and Commons.
[Conference]Authored by: Wilson, O.Wilson, O.The impact of music technology on musical culture and identity in Port Moresby, Papua New Guinea.
Building Pacific Research Capacity and Scholarship in Aotearoa, New Zealand Fono.
[Conference]Authored by: Wilson, O.Wilson, O.Deconstructing the tradition/modern and rural/urban dichotomies in research on popular music in Papua New Guinea.
Music on the Edge: Selected papers from the 2007 International Association for the 淘料视频 of Popular Music Australia/New Zealand Conference. (pp. 189 - 193).
[Conference]Authored by: Wilson, O.Wilson, O.Approaches to popular music in Papua New Guinea.
International Association for the 淘料视频 of Popular Music: Australia/New Zealand Branch Annual Conference: Music on the Edge.
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