淘料视频

Contact details +6449793291

Dr Scott Wilson PhD

Senior Lecturer, Critical Studies

School of Music and Screen Arts

College Director, International

College of Creative Arts

Scott Wilson is a Senior Lecturer in The School of Music and Creative Media Production at 淘料视频 . He is the author of The Politics of Insects: David Cronenberg’s Cinema of Confrontation (Bloomsbury, 2011) and has recently edited a volume on extreme and unpopular music, Music at the Extremes: Essays on Sounds Outside the Mainstream (McFarland, 2015). He is currently preparing a new monograph on landscape and cinema in Aotearoa. 

Professional

Qualifications

  • Doctor of Philosophy in Film, TV and Media Studies - University of Auckland (2008)

Research Expertise

Research Interests

Psychoanalysis; popular cultures; experiemental music; film theory; material cultures

Area of Expertise

Field of research codes
Art Criticism (190101): Art Theory (190103): Art Theory and Criticism (190100): Cinema Studies (190201): Film and Television (190204): Film, Television and Digital Media (190200): Other Studies in Creative Arts and Writing (199900): Performing Arts and Creative Writing (190400): Studies In Creative Arts And Writing (190000):
Studies In Human Society (160000):
Technology (100000):
Visual Arts and Crafts (190500): Visual Cultures (190104)

Keywords

Psychoanalysis; film theory; media analysis; popular cultures

Research Outputs

Journal

Wilson, S. (2017). Death to Videodrome’: Cronenberg, 沤i啪ek and an Ontology of the Real. MEDIANZ: Media Studies Journal of Aotearoa New Zealand. 16(2), 83-94 Retrieved from https://mediaperipheries.otago.ac.nz/mediaperipheries
[Journal article]Authored by: Wilson, S.
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Wilson, S. (2010). Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice. Continuum. 24(5), 751-761
[Journal article]Authored by: Wilson, S.
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Book

Wilson, S. (2019). Pre-truth, Post-truth and the Present: Jacques Lacan and the Real Horror of Contemporary Knowledge. In R. Overell, & B. Nicholls (Eds.) Post-Truth and the Mediation of Reality: New Conjunctures. (pp. 153 - 175). Cham, Switzerland: Palgrave Macmillan
[Chapter]Authored by: Wilson, S.
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Wilson, S. (2015). Pictures. In Directory of World Cinema: Australia and New Zealand 2. (pp. 239 - 241).
[Chapter]Authored by: Wilson, S.
Wilson, S. (2015). Woodenhead. In Directory of World Cinema: Australia and New Zealand 2. (pp. 245 - 246).
[Chapter]Authored by: Wilson, S.
Wilson, S. (2015). The price of milk. In Directory of World Cinema: Australia and New Zealand 2. (pp. 241 - 242).
[Chapter]Authored by: Wilson, S.
Wilson, S. (2015). A danger to self and others: The cinema of David Cronenberg. In Endangering Science Fiction Film. (pp. 258 - 272).
[Chapter]Authored by: Wilson, S.
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Wilson, S.(2011). The politics of insects: David Cronenberg's cinema of confrontation.
[Authored Book]Authored by: Wilson, S.
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Conference

Wilson, S. (2024, February). Cynical Care in a Public Setting: Hostile Architecture and the Doubled Articulation of Care. Presented at 2024 PERFORMING CARE AND CARELESSNESS CONFERENCE. Otago University, Dunedin.
[Conference Oral Presentation]Authored by: Wilson, S.
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Wilson, S. (2022, November). The Public Buffoon and the End of Analysis: Civic Authority in a Time of Covid Crisis. Presented at Performing Global Crises conference. Otago University, Dunedin.
[Conference Oral Presentation]Authored by: Wilson, S.
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Wilson, S. (2022, August). Oceans, Trains, Buildings and Glaciers: Field Recording and an Ontology of Proximal Authenticity. Presented at ACMC2022: Australian Computer Music Association Conference. 淘料视频, Wellington.
[Conference Oral Presentation]Authored by: Wilson, S.
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Wilson, S. (2017). Cities of Wrecked Desire: Post-Apocalyptic Cinema and Ruin Pornography. In E. Taborda-Hernández (Ed.) V Congresso Internacional Cidades Criativas. (pp. 514 - 523). : V Congresso Internacional Cidades Criativas
[Conference Paper in Published Proceedings]Authored by: Wilson, S.
Wilson, S., & Schnoor, C. (2016). Goldfinger Revisited: James Bond Set Designs by Ken Adam as Modernist Spaces of Power. Melbourne School of Design. (pp. 618 - 618). : 33rd Annual Conference of the Society of Architectural Historians Australia and New Zealand
[Conference Paper in Published Proceedings]Authored by: Wilson, S.

Other

Wilson, S. (2022). Whence Comes Love? The Manifesto as Desire and Demand. : Blot
[Internet publication]Authored by: Wilson, S.
Wilson, S. (2020). Holy Hell! NakedSelf Turns 20.
[Other]Authored by: Wilson, S.

Teaching and Supervision

Contact Supervisor

Summary of Doctoral Supervision

Position Current Completed
Main Supervisor 1 0
Co-supervisor 0 1

Current Doctoral Supervision

Main Supervisor of:

  • Ted Mills - Doctor of Philosophy
    No Place As Home - Using Experimental Performance and Video to Explore City Narratives as an Emigrant Artist

Completed Doctoral Supervision

Co-supervisor of:

  • 2021 - Michael Heynes - Doctor of Philosophy
    Video Activism in the Shadow of Wellywood